My master thesis has been published as a part of an anthology After Muscking, edited by Yoshitaka Mōri, Tokyo University of the Arts Press, 2017. I have written about the pre-history of Sound Art in Japan from 1950s to 1970s, focusing on sound works created by artists having their origins.
Mentioned artists are; Atsuko Tanaka, Yasunao Tone, Group Ongaku, John Cage, Fluxus, Toshi Ichiyanagi, Keijiro Sato, Akio Suzuki and so on.
